Remember me in Colour is an early work of mine.
I experimented with colour’s ability to attach itself to memories and feelings, how the relationship you have with that colour can linger and paint coats over your life. Combining colours and displaying how they complement and interact with each other.
In this film, I explore feelings of past relationships with others and how they reflected onto me. More specifically, how my memories are saturated in colour they made me feel.
My relationship with my late father and the feelings of fearful nostalgia, resentment, and longing.
My ever-evolving kinship with my mother, how she takes the form of a person with individual identity as we grow.
The other romantic and companion relationships that took place a critical points in my development.
The people whose colours now I claim as my own through their memory.
I included some poetry i had written in this film, it was a unique opportunity compared to the rest of my work. The personal aspect carried this film and was a perfect tool for communicating the colour’s feeling and memory.
Remember me in Colour allowed me to discover my fascination with the warm colour pallet that I now highlight and harness in most of my work.
The powerful combination of burning and beauty, the feminine aspects of intense pinks and reds communicate womanhood’s overwhelming allurement and agony.
I experimented with colour’s ability to attach itself to memories and feelings, how the relationship you have with that colour can linger and paint coats over your life. Combining colours and displaying how they complement and interact with each other.
In this film, I explore feelings of past relationships with others and how they reflected onto me. More specifically, how my memories are saturated in colour they made me feel.
My relationship with my late father and the feelings of fearful nostalgia, resentment, and longing.
My ever-evolving kinship with my mother, how she takes the form of a person with individual identity as we grow.
The other romantic and companion relationships that took place a critical points in my development.
The people whose colours now I claim as my own through their memory.
I included some poetry i had written in this film, it was a unique opportunity compared to the rest of my work. The personal aspect carried this film and was a perfect tool for communicating the colour’s feeling and memory.
Remember me in Colour allowed me to discover my fascination with the warm colour pallet that I now highlight and harness in most of my work.
The powerful combination of burning and beauty, the feminine aspects of intense pinks and reds communicate womanhood’s overwhelming allurement and agony.